Books Read This Month

When You Are Engulfed in Flames by David Sedaris
One of my favorite reading memories from when I was younger was sitting on the couch in my parents’ house and cracking open a new David Sedaris book. Ones like Dress Your Family in Corduroy and Denim, Me Talk Pretty One Day, and Naked. That’s why I’m so excited that his newest book, The Land and Its People came out this week! My wife and I went to see him earlier this month at the Orpheum Theater and we cracked up the whole time. He’s just so damn funny. It made me want to reread an old favorite, When You Are Engulfed in Flames. I’ve yet to read another author who so accurately—and so side-splittingly—captures the absurdity of daily life.

Good Writing: 36 Ways to Improve Your Sentences by Neal Allen and Anne Lamott
I found this book while browsing the shelves of Changing Hands, and when I saw it was co-written by Anne Lamott, author of Bird by Bird, I bought it on the spot. There are so many gems of writing advice here. One favorite: “Spend less time defending what you’ve written and more time revealing the truth.” Lamott writes that when she edits her own work she removes anything “that put me in a more sympathetic/desperate light so the reader will feel sorry for me or anxious on my behalf, and like me more,” and that there is nothing more stunning than the truth presented carefully and unvarnished. I just love that. On a similar note, a huge piece of writing—and life—advice I’ve been thinking about is Ryan Holiday’s positive contribution every day rule. Seriously, read this article. And if you like to write, read this book.

London Falling by Patrick Radden Keefe
Oh my goodness, I LOVED this book. It’s one of the best I’ve read this year. Keefe is a master of narrative tension. The slow-but-propulsive unfolding of the story made it almost impossible to put down—I needed to know the motives of the people at the center of it all. In that way, it reminded me of—dare I say—the true crime classic In Cold Blood. You find yourself needing to know how the cast of characters came together, what stories they told themselves and others, and how the chain of choices led them where they ended up. It’s seriously so good. (Also, on a semi-related note, crime writer Patricia Cornwell published her memoir this month, and it looks really good.)

Inside the Box: How Constraints Make Us Better by David Epstein
I wasn’t sure if this book would be gimmicky, but I gave it a shot because I loved his book Range. This one is just as good, maybe better. We tend to think unlimited time, money, and freedom would solve our creative and business problems. It turns out what we often need are constraints: rigid limits, real or self-imposed, that force us to think more clearly and creatively. From some of the biggest companies to the most influential artists, from Steve Jobs to Johann Sebastian Bach, Epstein argues that constraints were not just the catalyst but the key ingredient in their success. It’s fascinating, and on top of that, it’s well-written and easy to read. It reminded me of the ideas in one of my favorite books on creativity, Austin Kleon’s Steal Like an Artist. (Btw, Kleon’s newest book Don’t Call It Art: 10 Ways to Create Like a Kid Again comes out next month!)

Misc: I also read and loved Christina Applegate’s memoir You With the Sad Eyes, which is where the Anchorman story above came from.

Implement and microinvent

I changed up my reading plan this year: fewer books, more time with each one—wrestling with the ideas instead of just collecting them.

This month I read 1929: Inside the Greatest Crash in Wall Street History—and How it Shattered a Nation. It sent me down a rabbit hole—hours with ChatGPT, filling gaps in my investment knowledge, and asking it to explain things in new ways so I could understand. Then I actually did something about it, and made a few moves I’d been circling for months.

Knowledge is the easy part. Implementation is harder. And much, much more valuable.

In late 1928, Alexander Fleming discovered penicillin—an achievement hailed as one of the greatest inventions in any field. But for over a decade, penicillin had done practically nothing for humanity. It wasn’t until millions of dollars and hundreds of American scientists and engineers modified the production process, established clinical trials, and distributed the drug at scale that penicillin became viable. By March 1945—seventeen years after its invention—enough penicillin existed for nearly every person in America. Fleming won the Nobel Prize in Physiology and Medicine.

We tend to view inventions as these great Eureka moments. Edison’s lightbulb in 1879. The Wright brothers’ airplane in 1903. The big names everyone knows: Franklin, Bell, Tesla. It’s the Hollywood tale of the hero inventing something that saves the world.

“But this approach to history is worse than incomplete: it’s downright wrong,” write Ezra Klein and Derek Thompson in Abundance. “Implementation, not mere invention, determines the pace of progress.”

“‘Most major inventions initially don’t work very well,’ the economic historian Joel Mokyr said. ‘They have to be tweaked, the way the steam engine was tinkered with by many engineers over decades. They have to be embodied by infrastructure, the way nuclear fission can’t produce useful electricity until it’s contained inside a working reactor. And they have to be built at scale, the way Ford’s Model T came down in price before it made a big difference to the country.’”

In short, inventions need what Mokyr calls microinventions—“incremental improvements needed to turn a new idea into a significant product.”

Think of what Edison actually did.

In his lab, he tested hundreds of materials by burning them in a glass vacuum before discovering that carbonized bamboo worked as a lightbulb filament.

But inventing the bulb, Edison understood, was only part of the job.

If electric light was going to work in people’s lives, he needed to build the whole system around it—generators to produce the power, wires to carry it, sockets and switches to control it, and meters to track how much electricity people used so they could be billed.

“Edison did not make electric light possible,” Klein and Thompson continue, “But his microinventions did something more important: Through exhaustive tinkering, embodying, and scaling, he made electric light useful.”

In the late 1990s, Jennifer Doudna and her partner Jamie Cate produced a working model of an RNA molecule—the foundation of CRISPR, the most widely used gene-editing system today.

And here’s what’s interesting: scientists had already known about RNA for decades. But by implementing, by microinventing, Doudna and her team made RNA useful.

And this isn’t just for scientists.

At age 84, with a career spanning more than six decades, Bob Dylan is still writing, recording, and performing. He’s become an object of study: where does his creativity come from?

“These songs don’t come out of thin air,” he says. “If you sang ‘John Henry’ as many times as me—‘John Henry was a steel-driving man / Died with a hammer in his hand / John Henry said a man ain’t nothin’ but a man / Before I let that steam drill drive me down / I’ll die with that hammer in my hand.’ If you had sung that song as many times as I did, you’d have written, ‘How many roads must a man walk down?’ too. All these songs are connected. I just opened up a different door in a different kind of way. . . . I thought I was just extending the line.”

He discovered the music he loved, then implemented it into his own creativity kit. Microinventing, one line at a time.

If I had to sum up 2026 so far in a word, it would be implementation.

I signed my wife and me up for a CPR class and stocked up on first aid supplies. I pulled the trigger on a few investments I’d been sitting on. I’ve folded George Raveling’s line—choose to be happy, or very happy—into my daily affirmations. And I spent months immersed in Peter Attia’s Outlive, swapping in his diet and exercise advice until the scale started moving. I’m down 25 pounds so far.

Knowledge without action is like buying a “Come and Take It” bumper sticker but driving a Prius. The aggression is there, but the outlet isn’t.

Knowing is the easy part. The value is in the doing.

You know what you need to do.

Consider this permission to go ahead and do it.

Books Read This Month

As mentioned, I’ve been trying to be more discerning—yet less structured—in my reading, and spend more time putting ideas into actions. I didn’t read as many books this month as I typically do, but I ended up enjoying the experience a lot more. I dipped in and out of some old favorites, like David Sedaris’s Happy Go Lucky andWhen You Are Engulfed in Flames. I also read Lukas Gage’s memoirI Wrote This for Attention, which was a random choice for me but I LOVED it. I read How to Hide an Empire: A History of the Greater United States by Daniel Immerwahr which was eye-opening. I’ve also been making my way throughThe Wisdom of Marcus Aurelius by Robin Waterfield, as well as—for the ninth time—A Calendar of Wisdom by Leo Tolstoy. I credit Tolstoy’s wisdom and teachings—Christian teachings, mind you—for turning me into such a flaming leftist. Oh, and if you haven’t heard, Anne Lamott and her husband, Neal Allen, released a new book in March:Good Writing: 36 Ways to Improve Your Sentences. I’m only a few chapters in and it is fantastic.

One of the best books I read this month was1929: Inside the Greatest Crash in Wall Street History—and How it Shattered a Nation by Andrew Ross Sorkin. Oh my goodness, it’s SO good. A 400+ page book about the Wall Street crash sounds like a remedy for insomnia, but it’s the opposite. I actually had a hard time going to sleep because I wanted to stay up and keep reading. The book follows the main players—the financiers, bankers, and government figures who helped fuel the speculation and then had to deal with the fallout—all from a fly-on-the-wall perspective. One especially fascinating thread is Carter Glass, who seems to have had a personal vendetta against National City Bank president Charles Mitchell. It’s all riveting. And Sorkin is such a fantastic writer that you often forget he’s the one doing the writing at all.

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