Creativity

I learned that living authentically means doing more of this

A few weeks ago, Courtney and I were getting ready to go to a Mercury basketball game when I remembered a quote by Henry David Thoreau that I really love.

“Bubs.”

“Yeah.”

“Our shadows never fall between us and the sun,” I smiled.

“Which shoes should I wear?”

“Did you hear what I just said?”

“Our shadows never fall between us and the sun. Which shoes should I wear?”

Ah, Thoreau. The great philosopher and bucker of convention. His mentor, Ralph Waldo Emerson, said that the ultimate morality is to be a nonconformist. Not in the sense of shirking responsibilities or being “different” for its own sake—that’s just silly—but in following your natural inclinations.

Thoreau lamented how a person works their whole life to earn the right to follow their calling, but by the time they’re able to follow it, they’ve lost the desire to do so:

“This spending of the best part of one’s life, earning money in order to enjoy a questionable liberty during the least valuable part of it, reminds me of the Englishman who went to India to make a fortune first, in order that he might return to England and live the life of a poet. He should have [become one] at once. ‘What!’ exclaim a million Irishmen starting up from all the shanties in the land, ‘is not this railroad which we have built a good thing?’ Yes, I answer, comparatively good, that is, you might have done worse; but I wish, as you are brothers of mine, that you could have spent your time better than digging in this dirt.”

The more I read, the more I see this same idea: living a happy life means living authentically.

What mainly stands in the way of living authentically is what Ray Bradbury called the enemy of life itself: self-consciousness.

In the 1980s, Leonard Mlodinow was beginning his career as a physicist at Caltech. He was given total freedom to research whatever he’d like. This sounded great at first—complete freedom—but it soon became clear he had a problem: he didn’t know what to work on. He became increasingly anxious to find a subject to research. String theory was popular, should he study that? What about that other theory that was gaining traction? That would be good to research, right? Desperate to figure out what he should work on, he sought out Nobel Prize winner and fellow physicist Richard Feynman to ask him what he thought. After some probing, Feynman finally said to Mlodinow, “Look, selecting a research problem isn’t like climbing a mountain. You don’t do it just because it is there. If you really believed in string theory, you wouldn’t come here asking me. You’d come here telling me.”

Knowing what to work on is often the hardest part. But at least there’s a good way to know if you’re on the right track: you won’t be looking around to see what everyone else is doing. You’ll have confidence.

That’s what Bryan Cranston, when he’s working as a director and hiring an actor, looks for. “This whole business is a confidence game,” he says. They need to have a little arrogance about them. Not in their private lives, of course, but in their work. Like an athlete who says, I got this, with the game on the line. “If an actor comes in, and I feel flop sweat and need from them, there is almost no chance I will hire them. Not because they are untalented, but because they haven’t yet come to the place where they trust themselves, so how can I trust they’ll be able to do the job with a sense of ease? Confidence is king.”

To not trust ourselves, to dismiss what we think, Alain de Botton said, is to unwittingly ignore the greatness of our own minds. This is extremely sad. He pointed out that Aristotle was peerless because he placed his faith in the fruits of his own thoughts.

Of course, it would be absurd not to read and learn from the wisest people to have lived. But to not supplement this learning with introspection is also unwise. 

Take Montaigne. He believed that we could derive more wisdom from our own life than anywhere else. Relying solely on books, for instance, to explore our curiosity and intellect is detrimental; they cannot account for our own thoughts and feelings. “Were I a good scholar,” he said, “I would find enough in my own experience to make me wise. Whoever recalls his last bout of anger . . . sees the ugliness of this passion better than in Aristotle. . . . Even the life of Cesar is less exemplary for us than our own. . . . we are richer than we think, each one of us.”

In one of my favorite books, The Consolations of Philosophy, Alain de Botton quotes Montaigne in saying that great men and women are often not seen as great by their spouses or those who live with them. This might be because they see the private, less pretty moments of life up close. But it also might be due to our curious nature to not find interest in people too close in proximity and age to us. De Botton notes that Montaigne was not saying this out of pity, but as a way of pointing out the “deleterious impulse to think that the truth always has to lie far from us, in another culture, in an ancient library, in the books of people who lived long ago.”

The wisdom is right here, he was saying. In front of you and, more importantly, inside of you. After all, if wisdom begins in knowledge, it must first be perceived within. It’s why the truth always rings true. “In the minds of geniuses,” Emerson said, “we find—once more—our own neglected thoughts.” 

It’s not that geniuses have all these great thoughts that the rest of us don’t have, de Botton says. It’s that they take them more seriously.

Again, this doesn’t mean we have all the answers or that we shouldn’t learn from others. That would be ridiculous. But we do need to trust ourselves more, especially with our own callings and aspirations.

We need to do, as Feynman suggested, less asking and more telling.

One of the best ways to live authentically is to grow in confidence. And the best way to grow in confidence is to take action. Do the thing now, not tomorrow, not when you retire. Wake up a few hours earlier if you have to.

There’s no shortage of pursuits that are comparatively good. But what’s the point of that? Why not pursue the ultimate good and follow your own nature? Why not start now?

We got to the basketball game earlier than expected, so we walked around downtown for a while.

Courtney checked her phone. “We still have time to kill.”

She must have noticed me tense up. “I know, I know,” she sighed. “We can’t kill time because time is literally killing us.”

I laughed. “Hey! Now you’re getting it!”

Fill is what I meant to say,” she said. “We still have time to fill.”


Books Read This Month:

The Writing Life by Annie Dillard is a short read on writing from one of the greats. One of the things she said that I keep thinking about is how all writing is hard—whether you’re writing a recipe or an email or a text message. All writing takes effort and concentration, so why not work on writing something substantial?

-I really liked Natalie Goldberg’s Writing on Empty, about a recent time in her life when she felt no inspiration to write, and what she did about it. I got some good stuff and enjoyed reading it. If you’re in a writing slump, it may be just the book you need to get you out.

The following books—all highly recommended by Ryan Holiday (he literally never disappoints)—were the best ones I read this month.

Totto-Chan: The Little Girl at the Window by Tetsuko Kuroyanagi. Long before she became one of Japan’s most famous TV personalities, Kuroyanagi, adorably called Totto-Chan in her youth, attended an elementary school that was run by a teacher with a unique approach to learning. Expelled in the first grade from her previous school for her hyperactivity, she excelled in this new one. She tells her story through the eyes of her child self: each day is full of possibilities, everyone is a friend, everything is exciting. Her enthusiasm for every little thing is heart-warming, and it rubbed off on me. I just loved it.

Why Fish Don’t Exist by Lulu Miller. This is one of the best books I’ve ever read, period. It’s seriously so good. It might be too good. I told a few people they needed to read it, and when they asked me what it was about, I was a little stumped. It’s hard to put into words. But talking about it with someone who’s read it is a different story. Courtney (a tough critic) read and loved it, and we went back and forth. Oh my gosh, do you remember this part? Wasn’t that hilarious? Oh man, wasn’t that deep? Isn’t that the meaning of everything? Also mixed in is a bit of a murder mystery. Mary Roach called this book perfect. And I agree, it’s just perfect.

In My Time of Dying by Sebastian Junger. Wow, what a crazy story. A few years ago, Junger was on the brink of death on the operating table. He describes his experience in gory detail and then meditates on the possibility of an afterlife. It’s a thrilling and hopeful read. I sent it to my dad and he loved it too.

A few thoughts on doing deep, focused work each day…

-Don’t let your job and other responsibilities hold you back. You can be a professional writer one hour a day.

-Know what you will work on that day. How has Ryan Holiday been able to write more than a dozen books in as many years? He says that when he sits down to write, his goal is not, “finish the rough draft,” or “write until noon.” His goal is “write section 2 of chapter 3.”

-Set a stop time. Writing without a stop time is torture, Jerry Seinfeld said. “It’s like if you hire a trainer to get in shape, and you ask, ‘How long is the session?’ And he says, ‘It’s open-ended.’ Forget it. I’m not doing it.” If you’re going to sit down and write, there has to be a reward for that. “And the reward is the alarm goes off and you’re done.”

-Write every day. It adds up. Simon Sinek put it like this: “It’s like exercising or brushing your teeth. You don’t get in shape by going to the gym for 8 hours a few times a year. You get in shape by going to the gym for 30 minutes four or five or six days a week.”

-If you can, write at the same time each day. This will train your subconscious—your creativity—to kick in.

If I could share only a few of my favorite writing tips for showing up and staying on track, it would be these:

-Be less concerned with writing well and more concerned with sharing good ideas.

-What, exactly, are you trying to say? Say that.

-Good writing isn’t about something. It’s for someone. Pretend like you’re writing to a friend.

-The biggest problem writers face, says Ryan Holiday, is that they have nothing to actually say. Writing for the sake of writing isn’t the point. What can you not not say?

-Don’t worry about finding your voice. Just write as clearly as you can. An authentic voice follows clear writing.

-If it doesn’t excite you, don’t write about it.

-At every stage of the writing process, ask yourself, what is this thing about? What is the theme? Sometimes finding the theme is hard. You may not even know the theme while you’re writing. But never stop trying to find it.

-Writers don’t get writer’s block. Writers get caught up in thinking about whether their writing is good or bad.

-Steven Pressfield said to sit without hope and without fear. To work at your desk without the hope of writing something good nor the fear of writing something bad. He explains, “When I sit down to write in the morning, I literally have no expectations for myself or for the day’s work. My only goal is to put in three or four hours with my fingers punching the keys. I don’t judge myself on quality. I don’t hold myself accountable for quantity. The only questions I ask are, Did I show up? Did I try my best?”

Some recent takeaways on writing/creating:

-In Lynda Barry’s What It Is there’s a short comic strip of a writer deep in thought, trying to figure out what she should write a book about. Ten years later, someone asks what her book is going to be about. “Shh! I’m still thinking,” she replies. We can’t think our way to good ideas. We have to roll up our sleeves. We have to do the work in front of us.

-Make time each day for your own work, and wear yourself out doing it.

-Don’t think about how long it’s going to take. Just focus on doing a little work on it each day.

-The best way to serve the world is to serve your work. And the best work is the work that connects the divine with the human.

Haruki Murakami said the best way to express yourself as freely as possible is not to ask, “What am I seeking?” (which causes you to ponder heavy things and slows you up), but to instead ask, “Who would I be if I weren’t seeking anything?”

The difference between genre and style. Genre is a category. Style is the life and humanity you give the art. As Jerry Saltz put it, “Dolly Parton’s ‘Jolene’ is a classic country song; the vulnerability of her performance is what makes you die inside when you hear it.”

-The better story wins.

-Relax. You can’t read every book.

-A great way to live: follow your interests and share them with the world.

Some notes on writing

I’ve been having difficulty deciding how to begin a larger piece of writing. So I taped this list to my computer for guidance and inspiration:

-Create with whatever is in front of you and be indifferent to whether people like it.

-Articles are like songs and books are like records. And records are art. You can make them about anything you want.

-The work will be good if it comes out of necessity. It must be something you can’t not say.

-Write every day. Write what is inside of you, what naturally comes to the surface.

-You should feel excited about what you’re writing; it shouldn’t feel like a chore.

-Start with an image. Then give it form.

-Be more attentive to what is arising within you than what’s going on around you.

-First drafts are for the muse, inspiration, and spontaneity. Save thinking for the revising part.

-Start. Your piece will take shape as you go.

-“When in doubt, it’s Resistance.” -Steven Pressfield

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